Episode 159.
12-23-65
Martin Peyton visits the mill. [la].
WA: This is the Peyton Mill. As it has prospered, so has Peyton
Place. If the mill should fail, the town cannot long survive.
And this is Martin Peyton. The last man living to bear the
name. The town, the mill, the family, In Martin Peyton's old
and ailing hands may very well rest the survival of all three.
Intro: Country scene. The Peyton Mill smokestack. Martin Peyton
arriving at the mill in his limousine. Mill workers arriving.
Written by Rita Lakin and Sonya Roberts
Directed by Ted Post
Scene 1: Thomas, the chauffeur [possibly James Doohan], gets out and
walks around to assist Mr. Peyton out of the limousine. Peyton
greets one of the workers, a Mr. Prohaska. Prohaska introduces
his son, Danny, to Mr. Peyton. Mr. Prohaska proudly announces
that his son has worked at the mill "going on three years." A
man named Freddy hollers at Mr. Prohaska to complain that
"Schuster says that machines can do it better than men." Mr.
Prohaska hollers back at Freddie. Gus Chernak comes over to
complain to Peyton that he went from loom operator, like
Prohaska, to night watchman. That he has Harrington to thank
for that. He mentions his late son, Joey. The plant whistle
sounds. [This particular scene helps to explain another scene
between Julie Anderson and David Schuster where Julie is
helping Schuster with public relations. Schuster reluctantly
decides to keep Gus Chernak on, since Leslie "kept him on" by
moving him from loom operator to night watchman.]
Scene 2: Julie Anderson arrives and takes some papers into David
Schuster, the current plant manager, who replaced Leslie
Harrington. She is strengthening (girding, buttressing) him
for the arrival of Martin Peyton, the chairman of the board.
[Anna Chernak, wife of Gus, is currently working as a maid for
the Schusters, and had worked briefly for the Harringtons.]
Scene 3: In Steven Cord's office, Leslie Harrington is talking with the
young lawyer. Harrington mentions the possibility that a Judge
Carter might preside over Rodney's murder trial. Steven says
that he expects it to be either Judge Quigley or Judge
Chandler. Harrington tells Steven that he hired him to defend
Rodney because Steven always laid his cards on the table.
Leslie asks what are Rodney's chances. Steven says he can
guarantee anything.
Scene 4: Steven walks across the square and goes into the Clarion office
to talk with Elliot Carson. Steven asks Elliot if he has been
to the hospital to check on Allison. He asks how Allison is
coming along. Elliot says, "All right." Steven says its easy
to forget what an Editor does. Elliot says that an editor does
both. He has an attitude and corrects commas. Steven asks
about the incident, some time ago, when Elliot rescued Rita
from Joe Chernak and Earl when they tried some time ago, to
force her into their car. Elliot tells him that those hoodlums
had her so terrorized that she did not even want Elliot go to
the police.
Scene 5: At the mill, Julie is typing, then beginning to file a finger
nail as Martin Peyton makes his grand entrance. She talks
briefly with him. She explains that she came back to the mill
after, Harrington left, to lend her experience to running the
mill. She goes on to tell Peyton that George is in a state
hospital. [In Massachusetts]. Schuster comes out and welcomes
Peyton into his inner office. Peyton seems pleased that Julie
Anderson is back at the mill. Schuster begins to annoy Peyton
by informing him that they are behind the times. They need to
automate. Peyton counters that the problem is the men.
Schuster calls Julie on the intercom to get him the [Howard]
Cable report. She brings him a file folder with papers in it.
Schuster tells Peyton that he had a call from a Mr. Fletcher
who works for Kenneth Markham. Peyton makes it crystal clear
that does not want any partners.
Scene 6: Elliot and Constance are in Dr. Rossi's office to talk about
Allison. Rossi mentions a Dr. Quist, a Boston Memorial
psychiatrist. He thinks the psychiatrist could be of help to
Allison.
Scene 7: A young nurse brings some breakfast in to Allison. She refuses
the orange juice by knocking it out off the tray. Allison says
that she doesn't like strangers asking her personal questions.
Constance remains there with Allison.
Scene 8: Later, outside Allison's room, Constance and Dr. Rossi prepare
to visit Allison.
Scene 9: In Allison's room, Rossi and Constance try to calm her down.
Allison says that she will never trust him again. Rossi says
he'll help Allison whether she wants him to or not.
Scene 10: Outside her room, again, Constance tells Rossi and Elliot that
Allison is terrified. That she has locked off herself from
reality. Rossi says that it is a declaration of war.