Episode 101.
08-12-65

          Allison suffers rejection. 
             
WA:       David Schuster's move to Peyton Place was a gamble.  In
          both  his career and his family life.  So far, he has
          neither won nor lost.   

Intro:    City scenes.

Written by Michael Gleason and Peggy Shaw
Directed by Ted Post

Scene 1:  David Schuster comes home to the mansion and calls out for
          his wife.  He greets her as she comes down the stairs. 
          They kiss.  She asks David if he had a rough day.  He asks
          about Kim.  Doris says it is going well.  She asks again
          about his day.  He says thathe talked with Allison on the
          square.  He asks Doris her  reasons for telling Allison
          that she can't visit Kim anymore.  They commence to argue. 

Scene 2:  Allison is in her upstairs bedroom as Elliot knocks and
          comes in to chat.  He assures her that she can talk with
          him anytime.  Allison talks with Elliot about the job she
          lost with the Schusters.  She tells him that she had felt
          that the Schusters were pleased with her work.  Elliot
          beats around the bush but is trying to tell her that it
          seems to him that David Schuster is attracted to her.  He
          talks about seeing Schuster talk with her on the square. 

Scene 3:  Kenneth Markham enters the Colonial Post Inn and goes to
          the  desk to register.  The desk clerk assumes that he is
          his brother Dr. Vincent Markham.  When he is informed who
          the guest really is he becomes flustered at dealing with
          such an industrial tycoon.  Markham orders a suite of [two]
          rooms and a room for Mr. Harry Fletcher, his executive
          assistant, who will arrive the next day with his additional
          luggage.  He requests two extra phones.  The clerk warns
          Kenneth that the rooms cost $25 per day.  He is assigned
          rooms 108 and 109 and is told that the two extra phones
          will be installed in the morning.  Kenneth is told that
          Vincent is in room 206.  Vincent walks up and the brothers
          talk.  Kenneth asks why he hadn't been told that his
          brother Vincent was married. 

Scene 4:  In the living quarters, back of the tavern, Rita talks with 
          her mother.  Ada asks about her day and Rita, rather
          uncharacteristically, is sarcastic with her answer.  The
          phone  rings and Rita jumps.  Ada tries to get Rita to tell
          her what  is making her edgy.  Rita doesn't communicate. 

Scene 5:  It is 5:00 a.m. in the Harrington brothers apartment over
          the  Pharmacy as the phone rings four times.  Rodney
          finally stirs  and answers.  It is Leslie Harrington
          calling from Switzerland.  He tells his father that he will
          not be able to come to Europe and they had planned.  Rodney
          says that he has gotten a job at the mill.  Leslie wishes
          him good luck on the job, says goodbye, and hangs up. 

Scene 6:  Rodney Harrington is in Schuster's outer office as the mill 
          whistle sounds.  He is there to fill out employment papers
          for  Julie, at his first day on the job as a loading dock
          worker.  Julie is apparently the human resources
          department.  Theodore  Dowell comes in to see Schuster and
          chats with Rodney for a  moment.  Dowell tells Rodney that
          he is foolish for taking a  loading dock job when he could
          have done better office job. 

Scene 7:  Dowell and Steven Cord go in to talk with Schuster to warn
          him  of the consequences of automating the mill and
          throwing the  town's worker population out of a job. 
          Steven offers to take  Schuster's report to Peyton because
          he is going to Boston and  can deliver it personally. 
          Schuster says that he is going to  deliver it personally. 
          Dowell and Cord leave and a troubled  David Schuster sits
          at his desk. 

Scene 8.  Steven Cord is in his room at the Colonial Post Inn and
          places  a station-to-station phone call to Boston, AMber
          2-4470.  Hannah Cord answers the white phone and they
          inquire of each  others' health.  Steven inquires of Martin
          Peyton's health.  They have a strange conversation and
          Hannah tells him that he  has to make his own decisions. 
          Hannah asks Steven why he  called.  She mentions that it
          isn't her birthday.  Hannah ends  the call with "Goodbye,
          Steven." 

Scene 9.  Matthew Swain is typing with two fingers [a lá Paul
          Harvey] as Elliot Carson comes in the Clarion office. 
          Matthew begins the conversation with the question, "Have
          you ever tried to justify the fire department, to three
          angry families whose homes have been burned to the ground?"

Episode 103.
08-17-65
     
          Elliot is offered the Clarion.

WA:       Vincent Markham, a doctor with a world-wide reputation for
          humanitarism, came to Peyton Place for highly personal
          reasons.  Now, in Doctors Hospital he has been tested and found
          to be a victim of a rare blood disease.  He has been tested
          elsewhere and found to be a victim of pride and ego.

Intro.    The Gazebo.  The square.  The hospital.  A nurse coming
          through double doors.

Written by Peggy Shaw and Michael Gleason
Directed by Walter Doniger

                                   EMERGENCY
                                 NO ADMITTANCE

          Dr. Markham walking in the corridor.

                                 PRESCRIPTIONS

                                 VISITING TIME
                                   LIMITED TO
                                 ONE-HALF HOUR

  Betty's sketch

Scene 1:  At the Information Desk, Betty is sketching a portrait on a
          note pad as Dr. Vincent walks up.  He asks if Dr. Rossi is
          available.  Betty phones.  Rossi is busy on the phone. 
          Betty asks the doctor how he is.  She tells Vincent that
          his brother was here.  She says that she bets that people
          have been confusing them for years.  Vincent asks Betty how
          she was able to distinguish between them.  Betty mentions
          that she had talked with Claire.  Betty says that they are
          just friends.  She says that Steven is an attorney. 
          Vincent again advises her to marry Steven.  Betty calls
          Rossi and tells Vincent that he can see the doctor.

Scene 2:  Dr. Vincent Markham goes in to see Dr. Rossi.  Rossi says
          that he had been trying to call him.  Vincent asks if Rossi
          would like to go back to Peru with him.  Vincent says that
          he is not concerned about his health.  He is concerned
          about his work.  Dr. Rossi talks about a 110,000 dollar
          toy.

Scene 3:  It is 5:00 o'clock at the mill.  Rodney punches out on the
          time clock.  Betty calls to Rodney and tells him that she
          is there to pick up her mother.  Betty says that Julie is
          impressed with what Rodney is doing.  Steven walks up and
          joins them.  Steven asks Rodney how he is.  Rodney tells
          Betty, "See you around."  Rodney leaves.  Steven asks if
          she is free friday.  He says that he has been invited to a
          buffet dinner at the Schuster house and that she is invited
          also as his date.
 
Scene 4:  Rodney finds a lunch box in the seat of his car.  Inside is
          a hard boiled egg.  Allison appears.  Rodney asks her if
          she wants to split the egg with him.  He thanks her and
          gives her a kiss.  He says he wants to take her out to
          celebrate when he gets his first pay check.

Scene 5:  Allison goes in the Clarion office to see Matthew.  He had
          left her a note.  Allison looks at the framed copy of her
          first column.  He talks about his being an observer and
          that he is going away on a vacation.  He is going
          everywhere.  He says he has been a good newspaper man.  He
          has printed the news without coloration.  He says he has
          observed, recorded and printed.  He tells her that he is
          going away.  Everywhere.  As soon as he finds someone to
          take over the paper.  He  says that it will be a few more
          weeks.  Allison is saddened that he is leaving.  Matt tells
          her to be happy for him.  Allison hugs Matthew.

Scene 6:  Allison comes home and is met by Elliot at the front door. 
          He tells Allison that he has something to discuss with her
          and her mother.  Constance is having trouble getting the
          lumps out of the gravy.  They go in the kitchen.  [The 5
          pots are still hanging on the kitchen wall.]  Elliot tells
          them that Matthew has asked him to take over the Clarion as
          editor.  Allison is delighted.  She says that it is
          wonderful.  Constance is not enthused at all.  Elliot is
          concerned that the public will think of him as the
          ex-convict editor of the Clarion.  He will be dispensing
          opinions.  Elliot tells Constance not to be afraid of
          change.  Allison excuses herself and goes upstairs.  Elliot
          says that change is a part of life.  Constance says,
          "You're right and I'm with you."
         
Scene 7:  Rita goes in the living area of the Tavern where Ada is
          cooking.  Rita is unusually happy.  Rita has bought herself
          a shift with black and white stripes.  Ada asks Rita why
          she is on cloud 9.  Ada asks what the occasion is.  Rita
          says no occasion.  Rita starts to set the table and Ada
          knows that something is up.  She assumes that Rita and
          Norman have made up.  Ada is wearing a string of beads with
          alternating 4 white and 1 black.  Rita shows Ada some
          photos that Constance has just given her.  Rita finishes
          eating quickly and leaves. 

Scene 8:  That night, outside on the street, Joe Chernak drives up. 
          Rita walks up the stairs to Rodney and Norman's apartment. 
          She knocks lightly twice.  She gets no answer.  Joe is
          still watching.

Episode 105.
08-20-65
     
          The Markham brothers make a pact.
             
WA:       The Peyton Place Clarion is usually more an object of local
          pride than local controversy.  It usually waits patiently on
          doorsteps until the men go to work, and the women sit down
          with a cup of coffee to read the latest gossip.  But today, it
          will rock the lives of certain people in Peyton Place.
     
Intro:    From the back of a pickup truck, a newsboy is throwing papers.

Written by Lionel E. Siegel and Rita Lakin
Directed by John Newland

Scene 1:  Elliot comes in the kitchen where Constance is reading the
          newspaper.  Elliot says that everybody loves Don Quixote. 
          Allison comes down and tells about her dream. 
   
          AM:  "Morning.  Morning.
               I just had the craziest dream about uncle Matt.
               He was in Afghanistan and was climbing a mountain,
               with thousands of children following him like the
               Pied Piper.  And they were all listening to his
               tall tales like I used to.  I'm going to miss him."

Scene 2:  Rodney and Norman talk.  Rodney fusses at Norman for spending
          $7.00 on lobsters on his date with Rita at the Chowder Pot the
          previous evening.  Norman owes Rodney money and should not be
          splurging on Rita Jacks. 
         
MEL:      Rodney seems to already be aware of the gist of the book,
          "Men are from Mars.  Women are from Venus."  In this book
          the concept that women count differently from men is outlined
          and explained.  Women give men one point for a new Lexus.  One
          point for a fur coat.  One point for a dozen roses.  One point
          for a single rose.  One point for opening a door.  Men count a
          Lexus as 40 points.  Rodney said that Rita would have
          appreciated a hamburger just as much as the lobsters.

Scene 3:  Dr. Rossi comes in the Book Gallery to talk with Constance. 
          He talks about Ada Jacks visiting him in his office.  Ada is
          worried about Rita.  He asks Constance how Rita seems to her. 
          Constance says that Rita is upset, and confused.  The doctor
          doesn't see himself as a counselor for women. 

          Rossi tells Constance that she married quite a guy.  He says
          that he read Elliot's letter-to-the-editor.  Constance opines
          that Elliot is quick to anger and quick to fight. 

          Dr. Rossi then talks about Dr. Vincent Markham offering him the
          opportunity to go with him to Peru.  Vincent Markham says that
          he considers stability to be a flaw.  Dr. Rossi leaves and
          Julie Anderson comes in to talk with Constance about Elliot's
          letter-to-the-editor. Julie fusses at Constance. Julie says
          that David is a good man.  Constance says that Elliot has a
          right to his opinion.  Julie says that she is grateful for
          Elliot's help with George.

Scene 4:  Kenneth Markham is dictating a letter to Harry Fletcher, his
          executive assistant.  There is a knock on the door and Vincent
          is invited in.  Vincent is willing to sign the agreement to get
          the money he needs for his work in Peru.  Vincent says he is
          begging his brother for the money.  Kenneth says, "Vincent,
          don't kill yourself."  Kenneth lays the document down for
          Vincent to sign.  Vincent sits down to sign.  Kenneth says that
          he has always been proud to be his brother.  Kenneth asks if
          Claire is returning with him.  Vincent doesn't think so. 
          Kenneth says that Claire admires him.  Vincent admits that at
          times he has envied Kenneth, Elizabeth and the children. 

Scene 5:  Smokestack.  Doris brings a box of candy to the mill for David
          and hands it to Julie Anderson.  Julie calls in and David comes
          out of his office.  David tells Doris that she is not
          interrupting.  He asks where Kim is.  Doris tells him that Kim
          is at a party.  She then tells David about how the town is
          talking about the gold-plated migratory bird.  He says
          the letter is emotional not irrational.  He reminds Doris that
          she fired Allison.  She asks why Elliot wrote the letter and
          then she leaves.

Episode 107.
08-26-65
     
          Betty and Steven have a sudden date.
           
WA:       The fight between Norman Harrington and Joe Chernak was
          inevitable.  Norman, excitable, passionate, quick to anger. 
          Joe, brooding, embittered over the loss of his girlfriend,
          Rita Jacks.  Norman was hurt deeply.  Joe's taunts about
          Rita created fresh doubts in his mind. 

Intro:    Wharf.  Fight.  Norman.  Fishing net.  Joe walks away.  Sign: 
          Ed Kent.

Written by Sonya Roberts and Peggy Shaw
Directed by Ted Post

Scene 1:  Rita walks to the back door of the Tavern goes in and talks
          with Ada.  Rita is waiting for Norman.  Rita talks about the
          clambake that is planned with Rodney and Allison.  Rita tells
          Ada about meeting Stella.  Ada tells Rita to call Norman.  Rita
          calls but Rodney answers.  She wants to know if Rodney has seen
          Norman.  Rodney says not to worry.  He says he'll pick up
          Allison and meet them at the beach.  Ada tells Rita not to
          worry.

Scene 2:  Rodney goes downstairs from the apartment and gets in his
          convertible which is parked in front of the Pharmacy.  The fire
          station is seen in the background.  Norman drives up, gets out
          of his car, and goes up to the apartment.  He looks a mess. 
          The phone is ringing as he comes in.  He doesn't answer the
          phone.  He just lies down on the couch.

Scene 3:  Elliot escorts Eli into the house.  Constance greets Elliot and
          asks if Eli is coming to dinner.  Eli says, "He is, he is." 
          Constance says they are having Stroganoff.  They talk about the
          letter to the editor that Elliot wrote.  Allison joins them. 
          Allison asks Elliot about his conversation with David Schuster. 
          Elliot assures Eli that Matt knows him and is confident that
          Elliot can run the paper.  Eli talks about his father: 

               Martin Peyton drove up in his automobile.  A bunch
               of kids along with Elliot gathered.  Peyton hollered
               and said that thing is hungry and its going to eat
               you up.  Peyton kicked his car.  Grandfather whipped
               Elliot. 

          The door chimes ring.  Rodney Harrington has come to take
          Allison to the clambake.  They plan to meet Norman and Rita at
          the beach.  Allison says she has some food in the kitchen to
          take.  Elliot says nobody has ever tried to teach him to be an
          ostrich.

Scene 4:  Rodney and Allison arrive on the wharf and park by the stairs
          to the boarding house.  The Chowder Pot is under and to the
          west of the boarding house stairs.
               
          They sneak over and speak to Mr. Jolly, the lobster and
          clam man who runs the Chowder Pot.  Rodney tells him that they
          are in the market for some lobsters and clams.  Mr. Jolly says,
          "That makes my day."  He hands Allison a sack and tells them to
          help themselves.  Rodney points to a lobster with little beady
          eyes.  He asks who the lobster reminds her of.  She says Mr.
          Segal, the librarian.  Rodney says that the lobster reminds him
          of his great-grandpa, Sam Peyton.  They buy some lobsters and
          clams.  This time Rodney calls him Sam.  The bill is
          $4.00 all tolled.  Rodney pays.  Allison says, "Thank you." 
          Rodney opines that Norman and Rita are probably already at the
          beach.  They leave and head for the beach.

Scene 5:  Steven and Betty drive to the wharf.  Betty says, "So this what
          you kidnapped me for?"  Steven says he wanted to visit his old
          stomping grounds.  He refers to Squire Harrington and
          the mysterious Allison Mackenzie.  A car drives by the
          Shoreline Garage and near the Hiring Hall.  Dr. Rossi calls to
          Betty and Steven.  Rossi says that he is looking for Collins
          Street.  Betty says that it starts right behind Ham's
          Shoreline Arcade.  He is looking for the home of the Chernak
          family.  Betty tells him that she doesn't know where the Chernak
          house is.  Steven and Betty get some change and go in Ham's
          Shoreline Arcade and play an old mechanical pin-ball machine.
          Betty asks if his interest in Elliot Carson has anything to do
          with the letter-to-the-editor he wrote ot the Clarion.

MEL:      [This scene should be nostalgic for the old-timers, because
          this was before all the pinball machines were computerized. 
          They usually cost a nickel.  Really.  Your reviewer went in an
          arcade in Wichita, Kansas, in 1956, where the old pin-ball
          machines had all been converted to operate on just a penny.]

Scene 6:  Stella is relaxing as Rossi comes out of the back room and
          tells them that Gus has cirrhosis of the liver.  He
          should eat properly, chicken, beef, and liver.  Rossi
          introduces himself to Stella.  Rossi asks how she recognized
          Gus's ailment.  She admits that she worked at a medical
          center on the west coast.  He asks if she was a nurse.  She
          says, "No, I'm a bio-chemist."  Rossi laughs.  She said she
          didn't expect that reaction from him.  Stella tells him that
          she has been away for 7 years.  She said that she picked a job
          which had room for advancement, and paid over $10,000 a year,
          and had status.  She asks the doctor to stay for dinner.  He
          asks if he smells pirashki.  He does.  He accepts.  Stella
          is surprised.

Episode 109.
08-31-65
     
          Love penetrates a wall of jealousy.

WA:       Rita Jacks' romance with Norman Harrington has ended on a
          note of suspicion and jealousy.  Rita fears what the
          ultimate result of this jealousy could be. 

Intro:    Wharf, near the Tavern.  Norman, standing, untangles
          himself from a fish net.  Aftermath of the fight with Joe
          Chernak.

Written by Peggy Shaw and Michael Gleason
Directed by Walter Doniger

Scene 1:  Norman tells Rita that he wants to talk with her.  Rita
          says that she can't take it any more.  Rita says she
          wonders how the clambake turned out.  Norman says, "It's
          wild."  Norman kisses Rita.  Rita asks Norman what he was
          thinking.  Norman says, "How can a face like that be so
          beautiful?"

Scene 2:  Rodney returns to the apartment and takes off his shoes. 
          He asks Norman why he didn't show up at the clam-bake. 
          Rodney turns on the light.  Norman throws a pillow at the
          lamp.  Rodney takes off his shoes and his shirt.  Rodney
          tells Norman that he turned on the transistor [radio]
          and danced with Allison.

MEL:      At that point in time, the term transistor meant a
          transistor radio.  And to a lady, an automatic meant an
          automatic washer].

Scene 3:  At the hospital, Dr. Rossi speaks to Pete, a worker who is
          in the process of moving furniture.  Dr. Claire Morton
          Markham tells Rossi that she has decided to go back to Peru
          with Vincent.  Rossi congratulates her.  Vincent comes in
          and kisses his wife, Claire.  He asks Rossi if he has seen
          Kenneth.  Rossi tells Vincent that he saw Kenneth yesterday
          and that Kenneth had donated generously to the hospital,
          $10,000. [A comparatively large sum in 1965.]

Scene 4:  David, Doris, and Kim are having breakfast at the mansion. 
          David is about to leave for Boston to see Martin Peyton and
          Doris asks when he will be back.  He says it depends on
          traffic.  The door chimes ring and Doris admits the new
          baby sitter, Sheri Howard.  Doris says that Sheri will
          spend the day with her.  Sheri speaks to Kim, very slowly. 
          It would be an understatement to say that Sheri doesn't
          come across very well.  David walks over, takes Sheri's
          arm, pays her and ushers her out unceremoniously.  Doris
          asks why she did that.  The phone rings.  The butcher has
          called to tell her that his truck has broken down and that
          she will have to go into town to get the ham and the
          turkey.  David tells doris to call Allison to care for Kim. 
          Doris says that she can't do that after firing her.  David
          leaves.

Scene 5:  Betty comes downstairs and shows Julie two dresses, one
          red, the other blue.  Julie suggests the red one, but Betty
          says that she prefers blue because it is more
          sophisticated.  Betty says that she is on the late shift
          and that Steven will be picking her up at the hospital. 
          They are going to a party at the Schuster mansion
          immediately after she gets off work at the hospital.  Julie
          thinks that Steven may be leading Betty into an
          uncomfortable situation.

Scene 6:  Norman is reclining on the bed as Rodney is preparing to
          leave the apartment.  Rodney tells Norman that it is almost
          9:00 a.m.  Norman had been beaten up by Joe Chernak. 
          Norman gets to his feet and recalls that his mother,
          Catherine had killed Elizabeth Handley Carson with a poker. 
          Rodney tells Norman to let go of Catherine, their mother,
          and hang on to Rita.  Norman puts the lamp back on the
          table.

Episode 111.
09-03-65
     
          The Carsons get an overseas call from Leslie Harrington.
             
WA:       For Joe Chernak, this day like any other, is empty and
          without ambition.  For Rodney Harrington, it is a special
          day.  A day of ultimatum.  And Joe knows it.  Knows that
          Rodney is determined to stop him from trying to break up
          Norman and Rita.  To be his brother's keeper is not a role
          that suits Rodney.  Yet, the savage beating that Joe gave
          Norman drives him to an ultimate decision.  Find Joe
          Chernak and bring to an end the torment that he has caused.

          Joe's every effort to make Rita his girl again has been
          rejected.  And now the sum of those rejections becomes a
          toilsome burden for Rodney.

Intro:    The wharf.  Boats.  Joe Chernak walking on the wharf around
          the corner.  In the background is Ham's Shoreline Arcade. 
          Rodney walks along past Mrs. Hewitt's boarding house, the
          Chowder Pot [under the boarding house stairs], Ham's
          Shoreline Arcade, Ada Jacks' Tavern, and Joe's Boat Shop.

Written by Sonya Roberts and Rita Lakin
Directed by John Newland

Scene 1:  Rodney knocks on the Chernak door and Stella answers. He
          asks for Joe and is told that he is out.  Rodney asks if
          she knows when he will be back.  She shakes her head, no. 
          Stells introduces herself and invites him in.  She asks if
          Joe is in some kind of trouble.  They talk a while about
          Joe and Norman.  Stella tells Rodney that she is not her
          brother's keeper. 

          Presently, Dr. Rossi shows up wearing a suit and vest. 
          This is Rossi's second visit to the Chernaks' home.  Rodney
          exchanges a few pleasantries with Rossi and leaves.  Stella
          tells the doctor that her father, Gus, is not there.  Rossi
          says, "If you'll take off you boxing gloves, for just a
          minute, I'll explain that this visit wasn't entirely
          professional."  He says that he has come to apologize. 
          Rossi says he came by to apologize.  Stella invites the
          doctor to stay for lunch.   They are having pirashka.  He
          says he can't.  He says goodbye.

Scene 2:  Rev. Jerome "Jerry" Bedford is on the square and meets up
          with Betty.  He says that he has been watching her.  They
          walk together toward the Colonial Post Inn.  He says that
          he called her house a half dozen times and she was always
          out.  She says that her mother gave her the messages.  He
          compliments her on her [blue] dress and asks if that is
          what nurse's aides are wearing these days.  She explains
          that she is going out later that evening.  He asks if it is
          with Steven.  She says that it is.  He tells Betty that he
          knew Steven when they were growing up.  He asks how her
          mother Julie is.  He asks if he can call her again.  Betty
          is non-committal and doesn't answer.

Scene 3:  In the Book Gallery, Matthew talks with Elliot and
          Constance.  Constance says that she wants to have a small
          dinner party for Matthew and a few friends.  A bon voyage
          party.  Matthew says that he wants to slide out of town at
          his own speed.  Elliot says that a brass band would just
          get in the way.

          Allison shows up and kisses her uncle Mattew.  She says
          that he is doing what she only dreams about.  She asks if
          he is going to the Schuster's party.  Allison stands by the
          LENDING LIBRARY in the Book Gallery.  She tells Matthew
          that all she can offer is her love.  Matthew hugs Allison. 

Scene 4:  Joe Chernak walks over to the back door of Ada Jacks'
          Tavern.  He walks around the porch looking for something or
          someone.  He raps lightly on the door and Rita opens it. 
          She sees Joe and tries to close it, but he forces his way
          in.  He looks in the Tavern.  Rita asks him what he wants. 
          Joe forces her down in a chair.  He then asks her to be his
          girl again.  She says no.  He says that he cares about her. 
          She tells him to go away.  He forcefully kisses her.  He
          kisses her again and leaves.

Scene 5:  Norman walks by the Ships Chandlery and stops in front of
          the Book Gallery as Allison is locking up.  [There is now a
          boat suspended above the Chandlery sign.]   They walk
          together in the general direction of the Colonial Post Inn. 
          Norman calls her "doe eyes".  Norman says that he heard
          that the clambake was great.  Allison tells Norman that
          they missed him at the clambake.  She invites him to go
          with her and Kim to a party.  Norman invites her and Kim to
          go with him to a dumpy circus in White River.  Allison asks
          him to go with her and Kim to the library.  They can think
          of something to do later on.

Scene 6:  In the Carson bedroom, Elliot is putting on his tie in
          preparation for going to the dinner party at the Schusters. 
          The telephone rings and Constance answers.  The operator
          tells her that she has a long distance call.  Leslie
          Harrington is calling from Rome, to ask about Rodney and
          Allison.  Rodney has written that he is seeing Allison. 
          But he is vague.  Constance says that they don't see much
          of Norman any more.  Leslie says that Constance is being
          vague, like Rodney.  Leslie congratulates her on her
          marriage to Elliot.  He asks to talk with with Elliot. 
          Elliot uses this opportunity to tell Leslie that Matthew
          Swain has taken a leave of absence from the Clarion. 
          Elliot says that he will be the new editor but hasn't
          actually taken over yet.  It turns out to be a permanent
          leave of absence.  Elliot becomes Editor of The Clarion. 
          Matthew Swain was Editor-Publisher-Owner.  [Nothing is ever
          said about Elliot owning the paper.  However in the sequel
          "Peyton Place, the Next Generation," he does own it.] 
          Leslie says that he is playing musical countries but he
          hasn't seen Greece yet.  Elliot asks why he called.  Leslie
          says that he wanted to see what the climate was.  The phone
          call ends.  Constance observes that it is strange that
          Leslie called just to get a weather report.

Episode 113.
09-09-65
     
          Joe Chernak dies on the wharf.
             
WA:       To the deaf child, Kim Schuster, the sight of violence is a
          shocking thing.  Now having run away from Allison and coming
          upon Rodney Harrington and Joe Chernak quarreling on the wharf,
          she is the unseen witness to tragedy.

Intro:    Nighttime on the wharf.  Rodney passes two men coming out of
          the Tavern.  Joe and Rodney begin to fight.

Written by Peggy Shaw and Michael Gleason
Directed by Ted Post

Scene 1:  Joe and Rodney continue to fight.  Joe dies.  Kim watches.  Kim
          runs away.  Rodney puts a dime in the phone by the foot of the
          stairs up to the boarding house, and dials the hospital.  Betty
          answers at the hospital.  He tells her to send an ambulance to
          the wharf.  Rodney goes back over to Joe.  Rodney says, "Joe. 
          Joe.  Joe."  Rodney asks if he needs any help.  He walks off. 
          Right away, two fishermen discover Joe's body.  Not knowing he
          has expired, one kicks him and tells him to get up.  One says,
          "Call the police.  There's a dead guy on the wharf."

Scene 2:  Back at Doctors Hospital.  Betty is the nurse on duty at the
          Information Desk as the phone rings.  Steven Cord walks up. 
          Steven speaks to Betty.  He says, "You better hurry, it bites
          on the fifth ring."  Betty answers and talks to Mrs. Kruger. 
          She redirects Mrs. Kruger to the doctor.  Another nurse comes
          up and relieves Betty.  Steven says, "You better hurry,
          Cinderella."

Scene 3:  Norman and Allison go aboard a boat.  They are looking for Kim. 
          They go to the wharf.  Allison says, "We've looked everywhere
          else, she must be here."  They hear the ambulance siren. 
          Norman eventually finds Kim.  He calls to Allison.  Kim is
          sobbing.  Allison and Norman try to comfort Kim.  Allison tells
          Norman that Kim is shaking.  Allison tells Kim that she will
          take her home.

Scene 4:  Elliot and Constance have arrived at the Schuster mansion and
          introductions are made.  Doris congratulates Elliot on his new
          position as editor of the Clarion.  Doris asks Constance if she
          got her wrap in Boston.  Constance reluctantly admits that she
          got it right there in Peyton Place.  Doris says, "Really?" 
          Doris says she would like to have lunch with Constance.  Doris
          asks Constance if she will continue to work now that Elliot has
          taken over the newspaper.  Constance says that she hasn't
          decided.  Doris says that she hopes that tonight will put their
          husbands on the same side of the fence.  David says that
          automation does not mean that everyone will lose his job.  Dr.
          Rossi, Theodore Dowell, Andrea Dowell, Elliot, Constance, and
          others have joined David in the livingroom.

Scene 5:  At Ada Jacks' Tavern, a couple are dancing swing.  [At one
          time, Ada enforced the no dancing rule.]  Stella is sitting at
          the bar.  A man inquires of Ada if Stella is waiting for
          someone.  [The juke-box is playing "don't get around much
          anymore."]  A police car with siren blaring is heard driving
          up.  The police go over to the spot where Joe's body is lying. 
          Back inside the Tavern, the party continues.  Rita comes in and
          asks Ada what has happened.  Ada says that someone must have
          gotten hurt.  Stella runs outside followed by Ada and pushes
          her way to Joe.  Ada tells the police that Stella is Joe's
          sister.  Joe is put on a stretcher and loaded in an ambulance. 
          Ada and Rita go back in the Tavern.

Scene 6:  Meanwhile, back at the mansion Dr. Rossi talks with Anna
          Chernak, the Schusters' maid.  Rossi says, "Why is it always
          that when we meet you are serving me food?"  He mentions the
          pirashki at the Chernak house. 

Scene 7:  Steven is driving Betty in his car.  Steven poses a riddle,
          "What is green, grows and has wheels.  He says "Grass.  I lied
          about the wheels."  That's about all the jokes and riddles he
          knows.  Steven poses another riddle, "What walks like like a
          man, talks like a man, but looks like a man, but really is a
          ghost.  I'll give you a clue.  He's sitting right here between
          us."  Steven is referring to Rodney.  He explains that Rodney
          is a ghost that looks like a man and he is figuratively sitting
          there between them.

Scene 8:  Back at the Tavern, Stella drinks.  Ada asks Stella if she has
          had enough.  Ada says that the police will be back to question
          her.  Ada says, "I have a kid back there who was mixed up with
          your brother."  Ada tells Rita to call Dr. Rossi and tell him
          that Stella Chernak is in a bad way. 

Scene 9:  Again, back at the mansion, Anna Chernak takes a phone call. 
          She calls Dr. Rossi to the phone.  He tells his exchange that
          he is on the way.  He tells Doris that he doesn't know who is
          injured.  Rossi tells the assembled crowd goodbye and leaves. 
          Steven and Betty arrive.  Steven introduces Betty to Doris
          Schuster.

Scene 10: Rodney is standing and looking up at the imposing statue of
          Samuel Peyton 1845-1912.  Samuel looks almost like the missing
          link.

Episode 115.
09-14-65
     
          Rita and Norman grow closer.
             
WA:       Until a few moments ago, the Schuster house was the scene
          of a dinner party.  But the festive mood has been abruptly
          shattered by the hand of tragedy.  Betty Anderson has
          reason to be certain that whatever the tragedy, Rodney
          Harrington is somehow connected.

Intro:    Stars in the sky.  Outside view of the apartment.  The
          phone is ringing but Rodney doesn't bother to answer it.

Written by Carol Sobieski and Lionel E. Siegel
Directed by John Newland

Scene 1:  In the Schuster mansion, Doris walks over and announces to
          the guests that Mrs. Chernak's son, Joe, has died.  She
          tells Elliot and Constance that they found Joe dead on the
          wharf.  Stella escorts her mother out the front door.  Some
          of the other guests leave.  Betty tells Steven that she
          wants to go home.  Elliot says that maybe it was an
          accident.  Allison comes in and is told by Constance that
          Joe Chernak has been killed. 

Scene 2:  Allison comes down the stairs and tells Doris that Kim is
          now asleep.  Doris asks if Allison has any idea what upset
          Kim.  David assures Allison that they are not blaming
          her for anything.  David tells her goodnight.  David and
          Doris go upstairs.  He mentions that Anna Chernak wanted
          him to get Joe a job.  But he didn't.  Doris becomes
          emotional and sobs.  David embraces her closely.

Scene 3:  Elliot is driving Allison and Constance home.  He tells
          Allison that they may be getting out an extra edition.

          [In real life, and in old radio shows, the expression,
          "Extra, Extra, read all about it, was not uncommon."]

Scene 4:  Steven tells Betty that there were no ghosts in that house
          that night.  She tells him goodnight.  Julie greets Betty
          in their livingroom and talk about Joe Chernak.  Betty
          starts up the stairs.  Julie tells Betty that she has
          always trusted her.

Scene 5:  There is a knock on the door and Rodney says, "Come in." 
          It is Rita looking for Norman.  Rita says that she can't
          believe that it happened.  Norman arrives.  Norman asks why
          she is there.  She says that she wanted to see him.  He
          says, "Here I am."  Norman asks what is going on.  Rita
          says that Joe Chernak is dead.  Norman says that he was in
          the library with Kim and Allison.  Norman offers to take
          Rita home.

Scene 6:  On the back porch of the tavern living quarters, Rita is
          talking with Norman.  Lobster crates are seen in the
          background.  Rita tells Norman that she never saw a dead
          person before.  Norman says not to think about it.  Ada
          comes out the back door and joins them.  Ada scolds Rita
          for not staying in her room.  Norman tells Ada that he
          didn't have anything to do with Joe Chernak's death.

Scene 7:  Dr. Rossi is in the Chernak home with Stella.  He says he
          has some sedatives for Stella's mother.  Police Sgt. Edward
          Goddard knocks on the door.  He is let in and tells Stella
          that he needs to have a list of Joe's friends.  Anna comes
          in the living room and Sgt. Goddard introduces himself. 
          Anna tells Goddard that Gus is not there because he
          working. Anna tells Goddard that Joey was a good boy. 
          Stella tells Goddard to talk with Rodney Harrington. 
          Goddard asks why he should talk with Rodney.  Goddard
          thanks them and leaves.  Stella returns the pills to Rossi. 
          Rossi leaves.

Scene 8:  Betty drives to the square, parks in front of the Peyton
          Place Banking & Trust Co. building and walks over to the
          apartment stairs.  She starts up the stairs.

Episode 117.
09-17-65
                                                   
          The Chernak house is the scene of tragedy.

WA:       Rodney Harrington has come to the police station to make a
          voluntary statement about the death of Joe Chernak.  Theodore
          Dowell, long time Harrington family attorney, has tried to
          convince Rodney not to make the statement.  But Rodney is
          determined.  So now they wait.  They wait for a man who will
          have great impact on Rodney Harrington's life, John Fowler.

Intro:    Ocean.  Square.  Two policemen walking to the courthouse and
          going in.

Written by Michael Gleason and Rita Lakin.
Directed by Walter Doniger.

Scene 1:  Theodore Dowell says that he doesn't quite understand why he
          was asked to wait.  Fowler says he came down to make it easier
          for Rodney.  He tells Rodney that he is not required to make a
          statement.  And that he may have a lawyer before he gives a
          statement.  Fowler tells miss Wyatt to take the statement.

                    Voluntary statement of Rodney Harrington
                    regarding the death of Joe Chernak.

                Well, tonight I went up on the wharf to see Joe
                Chernak.  To tell him to stay away from my brother. 
                He got angry at me.  He came at me.  We started to
                fight.  I didn't want to, but I couldn't stop him. 
                He got one of those gaffing hooks, swung it at me. 
                I got it away from him.  I threw it off the pier. 
                I guess he thought I was throwing it at him, 
                because he tried to duck, he lost his balance, and
                he fell off the pier.  He must have hit his head
                or something.  He got back up on the pier and he
                started after me again.  But he dropped.  I ran
                over to him, to help him.  He was unconscious.  So
                I ran over to a telephone booth and called the
                hospital for an ambulance.  When I got back . . .

                When I got back, he was dead.  I was just gone a
                little while to call an ambulance, and he died. 
                I went back to my apartment to try and think
                about what happened.  To try and understand it. 
                And finally, when I was able to understand it to
                talk about it, I was about to come here when Sgt.
                Goddard was at my front door.  And that's all. 
                And I'm just very sorry.

                I was afraid.  I was afraid of what might happen
                to me.  I panicked.  I didn't want to, but I
                panicked.
               
          Fowler gives the stenographer, miss Wyatt, instructions on
          typing up the statement.  Room E of the Town Hall.

Scene 2:  Dr. Rossi goes to visit Gus Chernak.  Gus says that Stella had
          told him that Rodney had come by to see Joe that day.  Gus
          shows him children's faces that he had carved.  Rossi says,
          "Gus listen to me.  Your son.  There's been an accident.  Joe
          is dead."  Gus says, "Stupid kid."

Scene 3:  Miss Wyatt is typing as Elliot asks how much longer he will
          have to wait to see Fowler.  Dowell tells Rodney not to sign
          the statement. 

Scene 4:  Elliot finally gets to see Fowler.  The phone rings.  Goddard
          says that he doesn't think they have a case.

Scene 5:  Allison is waiting.  Dowell speaks to her.  Rodney asks Allison
          if she is here for jay walking.  Rodney and Allison talk. 
          Allison says that he doesn't have to explain to her.

Scene 6:  Miss Wyatt finishes typing Rodney's statement.  She hands the
          original to the police sargeant and the carbon copy to Theodore
          Dowell.  She lays the carbon paper on her desk.  [If you are
          unsure what carbon paper really is, ask your grandmother.]  The
          sergeant brings Fowler the typewritten statement in the
          interrogation room E.  Fowler says the press is welcome
          in his office.  They talk about Elliot's case.  Elliot inquires
          about John Fowler, Sr.  Fowler says his father was the best
          prosecutor the county has ever had.  Elliot asks if there is
          anything in it that gives Fowler any reason to question him
          further.

Scene 7:  Anna and Stella are at home as Gus Chernak comes home.  Stella
          offers Gus some food.  They discuss the death of Joe.

Scene 8:  Rodney signs his statement and is allowed to leave.  He walks
          across the square to the stairs up to his apartment.