Episode 301.
01-04-67
     
          Rossi goes on vacation.
       
WA:       Tonight, Hannah Cord has taken a long walk.  Her destination the
          office of Steven Cord.  She must see the young man who who lived
          all his life, assuming that she was his mother.  Hannah tried
          desperately to prevent Steven from gaining the knowledge that he
          was the son of Catherine Peyton.  And now she knows that she
          must confront Steven.  Perhaps for the last time.
   
MEL:      Mary is given the night off.  Thomas is told he won't be needed
          any more that night.  Only Peyton was alone in the house when
          Hannah started the fire.  Ed Nelson goes on sick leave.

Intro:    Hannah walks across the square to Steven's office.
       
Scene 1:  Hannah and Steven have a long talk.  He said he wanted to say
          goodbye to her but he didn't want to go to her.
       
Scene 2:  At the library, Eli introduces Rachel to Miss Hunt.  Rachel
          shakes her hand.  They talk a moment.  Rachel presents the
          librarian the list that Rossi had given to her.  Miss Hunt
          explains about index cards.  Eli goes over and wakens Norman who
          is reading about heredity.  Eli asks Norman to help Rachel find
          some books.  Eli tells off Norman, good naturedly.  Rachel quotes
          from the Farmer's Almanac.  Basic Zoology, the Beginnings of
          Biology, Story of the Human Cell, Handbook of Anatomy.  Eli
          suggests to Rachel that she should watch what Norman does and
          learn from him.
     
Scene 3:  Meanwhile, back at the mansion, Peyton is returning home, being
          helped by Thomas, the chauffeur.  Peyton hands Thomas his hat
          and tells him, "That will be all for now, Thomas."  [Your
          reviewer doesn't recall Peyton ever being sharp or rude to
          Thomas."]  Peyton tells Mary to catch up with Thomas and tell
          him, "to drive Mrs. Cord to the airport.  I don't want her to
          have to fend for herself.  Then take the night off."  [The
          writers didn't want the maid or chauffeur to burn up in the
          fire.  Very considerate of them.]
       
Scene 4:  Rita Jacks Harrington has been waiting in the livingroom for
          Peyton, and he is startled when he sees her.  Mary had earlier
          told her to wait there for Mr. Peyton.  Rita tells Peyton that
          Norman feels that his mother, Catherine, was unbalanced.  They
          proceed to chat about Norman and Catherine.  Rita tells him that
          Norman believes he inherited an insanity gene.  Peyton asserts
          that there is no insanity in the Peyton family.  They chat a bit
          more and Rita leaves.  Peyton goes over and looks at Catherine's
          portrait.
       
Scene 5:  Elliot and Constance go to see Dr. Rossi in his office.  Rossi
          tells them that Dr. Fielding will be responsible for Rachel
          Welles while he is away.  He says he'll be gone a couple of
          days.  He has called Mrs. Franks who, as indicated earlier, is
          still involved in Rachel's case.  Elliot  goes in to check on
          Matthew before he leaves.  He plans to catch a plane in 40
          minutes.  [As it turns out later, Rossi goes to New York City
          to visit his family and to see a big hospital.  He is impressed
          what a big hospital with big funding can do in research].

Scene 6:  At the mansion, Hannah is taking care of some last minute
          business.  She looks around, for perhaps the last time.  She
          tells Mary that she wishes to tell Peyton goodbye.  Mary tells
          her that Mr. Peyton doesn't want to be disturbed.  They say
          their goodbyes.  Hannah looks around and at the fireplace, and
          the chess set.  [Note that the chess set is set up wrong.]  She
          looks at the portrait of Catherine.  She prepares to torch it.

Episode 303.
01-10-67

WA:       Doctors Hospital.  Tonight, a fire raced through the interior
          of the ancient Peyton house.  Martin Peyton has been brought
          here to Doctors Hospital.  Steven Cord found him collapsed on
          the staircase of his home, a victim of smoke inhalation and
          shock.  The man whose image dominates the town, lies in
          critical condition.
     
Intro:    Light blue car.  A nurse gets out.  Rodney running.
     
Scene 1:  Steven and Betty are sitting on a bench.  Rodney rushes in. 
          Steven's hand is bandaged.  Rodney asks Steven how his hand is. 
          Rodney thanks Steven for saving Peyton's life.  Dr. Fielding,
          who is filling in while Rossi is away in New YOrk City,  comes
          out and tells them that Peyton has regained consciousness.  he
          is asking for his grandson.  Betty says, "I think he means you,
          Rod." [actually he meant Steven].
     
Scene 2:  Rodney speaks to Peyton.  Peyton says, "Steven."  Peyton is not
          well.  Peyton says, "Rodney, I thought I'd never see you again. 
          They talk a while and Rodney leaves.  Then Steven comes in. 
          Peyton asks why he Steven came to the house.  He was looking
          for Hannah Cord to return the check that Hannah had given Betty
          for the sale of the house.  Peyton asks Steven what his price
          is.  Steven says, "When the time comes, you'll know."  [MEL: 
          He wants to live in the mansion.  With his house being sold and
          Hannah leaving, everything falls into place for Steven and
          Betty to move into the mansion, and for Rodney to leave.  With
          Rodney living in the Shoreline Garage on the wharf, he will be
          close to the Webber house and Sandy.]
       
Scene 3:  In another room in the hospital, Elliot knocks and looks in
          where Rachel is lying on the bed.  Elliot invites Rachel to
          come and live in their house.  Elliot tells Rachel that
          Constance needs help with the baby.  Elliot tells her that he
          has reservations.
     
Scene 4:  Lee opens the door and comes in his house.  He calls for Sandy
          and Chris.  There is no reply.  He takes off his jacket.  Sandy
          is standing in front of the antique refrigerator. [probably a
          General Electric®.]  Lee Webber, looks in the mirror and says
          to himself, "Welcome home, Lee."   He picks up a plate and
          says to Sandy, "Fix one of these things for me".  She does. 
          He tells Sandy that he saw Rodney getting cozy with his new
          girl.  Sandy tells Lee that the name of the girl is "Rachel"
          and they aren't going together.  Lee says, "I forgave you once
          because I was in jail and you were lonely.  But I'm home now."
          Lee uses the word hopscotch.
       
Scene 5:  Meanwhile back at the hospital, Rachel gets up and puts some
          of her things away.  Rodney knocks on the door.  He asks if
          she is crying.  He asks what the suitcase if for.  She says
          that a social worker, Mrs. Franks, is coming.
     
Scene 6:  Steven and Betty go to the smoke damaged house and look around. 
          Steven lights a three-branch candleabra.  The upstairs is
          hardly damaged at all.  Betty says it is awful.  Steven says,
          "What a mess."  Betty says, "The fire has burned away the
          past."  Steven allows that he wants it just the way it is.

Episode 305.
01-17-67
   
          Chris steals Ada's gun.
   
WA:       Not so long ago, Chris Webber used to wait anxiously for the
          first snow of winter.  Blind since his childhood, he found
          great pleasure in feeling the cold fall of the flakes on his
          face.  Now, Chris hardly knows that snow, at last, has come to
          Peyton Place.  His mind is bursting with hatred of his brother,
          Lee.  Chris is convinced that Lee murdered Ann Howard.  He is
          further convinced that Lee must be punished.
       
Intro:    Chris is walking through the snow by the Pillory in the square
          in downtown Peyton Place.  Lee follows about 10 paces back. 
          Lee jumps up on the Pillory base and then continues following
          Chris.  Ada opens the Tavern door and ushers Lee inside.
   
Scene 1:  Chris has come in early to Ada's to practice on the piano.  Ada
          asks him why he is so early.  Chris says he needs the practice. 
          Police Sgt. Edward Goddard comes in.  The sergeant greets
          Chris, and Ada.  Ada mentions the Police Christmas Benefit. 
          [This episode was originally shown in early January 1967 and
          would probably have been filmed in December 1966.]  There is
          snow on the ground.  Sgt. Goddard duns Ada $7.50 for her gun
          license renewal.  Ada complains that she paid only $20.00 for
          the "stupid gun" five years ago.  He checks the serial number
          on the gun, and gives her a receipt for the money.  He promises
          to bring her the license in a day or two.  Sgt. Goddard greets
          Chris and then leaves.  [From the harbor, a fog horn is heard]. 

          Lee comes in, sits down at a table, and sarcastically reads the
          want ads out loud.  Nothing seems to fit him.  Chris abruptly
          stops playing That Old Feeling on the piano as Lee walks over. 
          Lee imposes on Chris.  Ada suggests that Lee leave the tavern
          and find that job for himself.  Lee makes a few more caustic
          remarks and leaves.  Chris talks to Ada about his fears for
          Sandy.  He says that nobody can win all the time.  He resumes
          playing the piano.
       
Scene 2:  Leslie goes in the still fire-damaged Peyton mansion and pours
          himself a drink.  Rodney comes down the stairs and talks to
          Leslie.  Rodney says that he is saddened by all the things his
          grandfather lost.  Rodney mentions that all of Peyton's books
          and some other irreplaceable things are all gone.  Leslie says
          it is a clean break with the past.  Leslie and Rodney fuss. 
          They talk about Martin, Steven, Betty, and Norman.  Leslie says
          that Steven is creating a new world.
   
Scene 3:  Steven is talking to his dictaphone in his second floor office. 
          Betty walks in and sits on his lap.  His right hand is bandaged
          as a result of rescuing Peyton from the fire.  Steven kisses
          Betty.   She tells Steven that Peyton has summoned her to his
          hospital room.  He tells her to go see Peyton but not to make
          any bargains.

Scene 4:  At the Pharmacy, Rita takes a ham sandwich and two cups of
          coffee over to Rodney.  She drinks the second cup as they talk. 
          Rodney talks with Rita about the damage to the Peyton house. 
          The upstairs was not damaged much but the downstairs was.  Rita
          tells Rodney that he needs someone.  She mentions Allison.  He
          tells her not to try to make a match.  As he leaves he mentions
          Rachel Welles.
   
Scene 5:  In his bed in the hospital, Peyton is fussing at nurse Stacy. 
          Nurse Stacy is cranking Peyton's bed down as Betty comes in. 
          Peyton orders nurse Stacy to leave.  Betty adjusts the bed.  He
          compliments her on her looks.  She asks how he feels.  She
          wonders why he asked her to come over.  He asks her to do the
          decorating to the house.  He intends to pay her.  Actually he
          calls it patching.  He tells her she will be well rewarded. 
          She indicates she would be wasting her time and his money.  She
          tells him she thinks the drapes were awful.  Peyton tells Stacy
          to leave.  Peyton hires Betty to redocorate the Peyton house. 
          He indicates he may just might use a professional.  Betty says
          he can always buy obedience.  Betty agrees to do the job and
          Martin tells her to consider that Thomas and the car will be at
          her disposal.
             
Scene 6:  About dinner time, Rita goes over to Constance Mackenzie's
          house and Rachel answers the door.  Rita wants to invite Rachel
          over to dinner the next night for a couple of hours.  Constance
          comes down the stairs with Matthew and tells Rachel that it
          will be all right with her for Rachel to dine out tomorrow
          night.  Rachel is unsure, but Constance encourages her to do
          it.  Constance is carrying Matthew and Rita comes over to look
          at him.
           
Scene 7:  At the Tavern, Ada is closing.  Chris tells Ada he wants to
          practice some more.  She tells him to turn off the lights and
          lock up when he leaves.  He tells her he won't need the lights. 
          He starts to play "Deep Purple," stops, tells Ada goodnight,
          and heads for the drawer to steal her gun.  With the gun in his
          pocket, he leaves the tavern.

Episode 307.
01-24-67

          Chandler skulks.
     
WA:       Chris Webber has taken it upon himself to be his brother Lee's
          executioner.  He has stolen a gun from Ada Jacks' Tavern, and
          carries it with him, awaiting the opprtunity to put an end to
          Lee's destructive life.  A few moments ago he had that
          opportunity, but Norman Harrington, thinking it was Lee who was
          about to harm Chris, separated the two brothers before Chris
          could accomplish his mission.  Now, Norman still
          mis-interpreting, has insisted that Chris stay with him and
          join a small party in progress at the apartment.
       
Intro:    In his red rag-top convertible, Norman drives Chris Webber to
          the apartment to join the Harrington's party. 
     
Scene 1:  Rodney is dancing with Rachel, as Norman and Chris arrive at
          the apartment.  Norman introduces Chris to Rachel Welles. 
          Chris says that he really can't stay, he just came up to say,
          hello.
   
Scene 2:  Rodney drives Rachel to the Carson house.  Rachel wants to talk
          about Allison, but Rodney doesn't.  Rachel says, "Did you used
          to sit out here with Allison like this?"  Rodney walks her to
          the door.  Chandler is skulking, watching from the shadows.
   
Scene 3:  Rodney and Constance meet up on the street in front of the
          Pharmacy and he offers to buy her a cup of coffee.  She talks
          about how much Rodney meant to Allison.  She tells him that it
          is ok to see Rachel.  Rodney mentions the bird feeder.  They
          chat but they don't go in for coffee.

Scene 4:  In the foyer, Betty is gets her red coat and Steven's overcoat
          out of the closet and talks to Steven.  Steven kisses Betty. 
          Betty says that the first thing she is going to do is put in a
          skylight.  Steven says that Rodney used to share a room with
          Norman.  Steven says, "You want to live here very much, don't
          you?"  Betty says, "We both have a lot to prove and a lot to
          gain if we ..."   They go upstairs to the left and find a room
          locked.  [There is probably a profound meaning to this but
          your reviewer didn't catch the significance.]  This seems an
          insurmountable challenge so they leave.
             
Scene 5:  Rodney knocks first, then and goes into Peyton's hospital room. 
          Rodney asks Peyton how he is.  Rodney tells his grandfather
          that he is moving out of the mansion.  Peyton asks if he means
          while it is being redecorated.  Rodney says no.  For good. 
          Peyton says, "I'm going to miss you.  I am going to miss you
          because I have grown to like you.  Peyton asks Rodney if his
          decision to move was influenced by Betty and Steven moving in. 
               
Scene 6:  Chandler is walking on the wharf near Ada Jacks' Tavern.  He
          goes to a pay phone and calls Leslie at the mill.  [Phone
          booths were still fairly common in the 60's.  At that time
          phone booths often even had directories.]  He talks with
          Leslie's secretary.  She tells him that Leslie is tied up. 
          Chandler asks her if it is rope or chains.  [Chandler usually
          isn't this humorous.]

Scene 7:  Chandler goes in to the Shoreline Garage to confront Rodney. 
          Rodney is working on a white-over-red hard-top convertible. 
          Chandler asks if he is using bonded brake liners.  He tells
          Rodney that he has his Hastings Valley farm up for sale.  He
          says that Rachel is on her own.  Rodney is bleeding brake
          fluid.  Chandler helps him by stepping on the brake pedal.  The
          first time it is real spongy.  The next time it is hard as a
          rock.  Chandler is hoping to work at the mill to pay off some
          doctor bills.  He tells Rodney that he is glad that Rachel has
          found someone here in town.  He pays Rodney what he owes him. 
          Chandler says, "I want you to know that I trust you with my
          niece."  Rodney says, "I don't want your trust, Chandler.  I
          don't need it."  He leaves saying, "I'll be around."

Episode 309.
01-31-67
     
WA:       Steven Cord is convinced that his former client, Lee Webber,
          stole a gun from Ada Jacks' waterfront Tavern, and Steven is
          determined to find Lee and disarm him.  Steven has long
          resisted any feeling of continuing responsibility toward Lee,
          who he defended in court against the charge of murdering Ann
          Howard.  Lee was released, a decision based largely on Steven's
          professional skills.  But Steven's growing feeling that he had
          let loose a killer is overwhelming him.  Ironically, Steven
          is on the wrong track.  Lee's blind brother, Chris, took the
          gun.  And the more time Steven spends searching for Lee, the
          more time Chris has, to set a plot in motion.

Intro:    Steven walks from Ada Jacks' Tavern and rings the Webbers'
          door bell.

Scene 1:  At the Cider Barrel, Chris is looking out the window
          toward the Tavern.  Steven comes in and asks Sandy if she has
          seen Lee.

Scene 2:  Rachel is returning to the Carson house when Chandler accosts
          her.  Rachel threatens to kill him.  She takes Matthew and
          the buggy in the house and closes the door.  Chandler walks
          off headed to the Clarion.  When Rachel goes inside, it can
          be seen that a door chain has been added to the front double
          doors.

Scene 3:  At the Clarion, Chander comes in and asks for an early copy
          of the next day's paper.  Constance and Eli are there with
          Elliot.  Chandler says that he has given up claim to Rachel.

Scene 4:  At the mill, Leslie Harrington receives Betty in his office and
          is annoyed by Betty's request for a special order for material
          to make the replacement drapes for the Peyton mansion.

Scene 5:  Inside the Carson house, there is a knock on the door.  Elliot
          comes in.  Elliot tells Rachel that Chandler came to the
          Clarion.  Chandler told him that he is closing the farmhouse.

Scene 6:  At the wharf, in a snow storm, Lee's boat has come in.  Mario
          [episode 308] ties up the boat to a post.  Steven comes aboard
          to talk with Lee.  They go b'low.  Steven accuses Lee of taking
          the gun from Ada Jacks' Tavern.  Lee denies it.  Steven says
          that he is sorry about only one thing, that I won't be the
          one to prosecute you."  Steven leaves.  Lee swings wildly
          breaking the glass globe of a marine lamp.

Episode 311.
02-07-67
     
          Chris and Sandy make a deal and Chris heads for the house
          to kill Lee.
       
WA:       For Chris Webber, this is the time of waiting, determined to
          punish his brother Lee, for the death of Ann Howard.  Chris has
          a gun, taken from Ada Jacks tavern.  A gun he knows he must
          use.  But he must find the opportunity.  For Sandy Webber, Lee
          Webber's wife, this is the time of decision.  Unaware that
          Chris has the gun, she knows she cannot return to her husband's
          house.  Ironically, her desire to stay away runs head-on into
          Chris' desire to return home, take the gun from its hiding
          place and press the trigger.
             
Intro:    Chris is walking on the wharf with Sandy following close
          behind.  They walk past the rooming house stairs toward the
          Cider Barrel.

Written by Ann Marcus and Jerry Ziegman
Directed by Walter Doniger

Scene 1:  Chris comes into the Cider Barrel and bangs his cane on the
          counter stools to make a racket.  Charlie tells Sandy he knows
          that she is off duty but would like for her to help him.  His
          bus boy has the flu.   But she says she's busy.  Chris
          apologizes to the folks for the noise he made.  Sandy tells
          Chris that she cannot stay in the house any longer.  They begin
          to talk about leaving that very night.  Chris tells her that he
          is on her side.  Sandy says that she has a few dollars and
          Chris says that he has some cash stashed at the house.  Chris
          says that Lee is most likely in White Water, drinking.  Sandy
          says she will call and see if he is home.  Sandy uses the Cider
          Barrel pay phone and calls the house to see if Lee is there. 
          She lets it ring three times.  There is no answer.  She hangs
          up and gets her dime back.  She says that Lee must still be in
          White River drinking.  [He said he was going for a barbecue
          sandwich.]  She abruptly asks Chris if he took the gun from
          Ada's.  In response, Chris asks Sandy how many blind
          marksmen she knows of.  [In answering this way, Chris
          doesn't actually tell a lie.]  Charlie again asks Sandy to
          help.  She again declines.  Chris asks Sandy for her door key. 
          She gives it to him.  He tells her to stay there.  He leaves
          and Sandy observes through the window. 
       
Scene 2:  In Peyton's hospital room, he is saying, "No, No, No, miss
          Stacy.  The dressing gown goes on top."  Nurse Stacy packs
          Martin Peyton's suitcase but tells him that he must have Dr.
          Fielding's permission to leave.  Betty comes in and Peyton
          tells her that he is ready to leave the hospital.  She asks
          what this nonsense is about his wanting to leave.  He says it
          is not nonsense and to have Thomas come up to his room.  She
          says that Thomas did not bring her.  Betty mentions that Rodney
          has moved out of the house.  Betty tells him that his room is
          not ready and the house is a mess.  Betty says that the house
          will be a real home for all of them.  She mentions that Peyton
          has had pneumonia.  Peyton says that he is sure that she can
          handle the household responsibilities.  Betty asks Peyton to be
          civil to the nurse.  Betty says goodbye and leaves.
         
Scene 3:  Chris arrives at the house, unlocks the door, and shouts for
          Lee, of course, expecting him to be not there.  Chris calls
          out, "Lee, Lee, are you home?"  He drops the keys on the table
          by the front door.  He begins memorizing the room and prepares
          a trap for Lee.  He digs the gun out of the sofa.  He moves two
          dining table chairs.  He moves two chairs and finds some twine.
          He prepares the trap by tying a string to the door knob and to
          a chair about 15 feet away.  The other chair is for him to sit
          in.   He ties it to the door knob.  He ties the other end to
          one of the chairs.  The string is for aiming.  Outside, Lee is
          waiting.  Lee leaves.  Chris cocks the gun and prepares to
          shoot.  Back inside, Chris takes aim.  Lee turns around and
          goes away.
   
Scene 4:  In the mansion, Ada comes in and talks with Steven Cord.  She
          has figured out that Chris, not Lee, has the gun.  She tells
          Steven that she now realizes that it was Chris, not Lee, that
          took the gun.  The phone rings twice and Steven answers.  The
          call is from Lee and Steven is told that Chris is threatening
          to commit suicide because of the death of Ann Howard.  Steven
          doesn't believe Lee.  Lee tells Steven to get down to the
          wharf. Lee tells Steven to get down to the wharf.  The door
          chimes ring.  Steven lets Betty in and gives her a report.  She
          asks what business is it of his.  They kiss.  He leaves.

Scene 5:  Rachel is in her room in a rocking chair.  She hears a noise
          from outside.  She gets up and goes over to the window.  She
          sees Elliot and Constance outside.  She rushes downstairs to
          the front door and lets them in.  They have been ice-skating. 
          Elliot tells Rachel that he will have to get her some skates. 
          Constance goes upstairs to take a hot bath.  Elliot asks Rachel
          if she is concerned about being alone in the house.  She denies
          it.  She won't admit any fear.  Elliot tells Rachel he
          appreciates her concern for Matthew.
       
Scene 6:  In the Cider Barrel, Sandy is drinking and Charlie is over by
          the cash register.  Charlie continues to complain about the
          bus-boy having the flu, and not being there to work.  Charlie
          asks Sandy why she is hanging around.  She doesn't want to
          answer.  Sandy goes to the pay phone on the wall.  She puts in
          a dime and dials 7 digits.  Chris turns and looks at the
          ringing phone.  He tries to ignore it.  He raises the gun and
          assumes a firing position.

Episode 313.
02-14-67
           
          Dr. Rossi returns from vacation in New York City.
       
WA:       A fresh snowfall hit Peyton Place last night.  A clean and
          fresh fall that seemed to cover up the tragedy of blind
          Chris Webber, who Steven Cord put on a transcontinental
          bus.  A bus headed for a new life.  Today, as the sun
          breaks on the square, Eli Carson begins to sweep away the
          new snow.  A simple act of great meaning to one who has
          left a small town and one who has made the decision to
          return to it.
       
Intro:    Returning from New York, Dr. Rossi drives by the Colonial
          Post Inn, and Town Hall and drives half-way around the
          square and parks in front of the Clarion and General Store. 
          [In episode 301, Rossi told Elliot and Constance that he
          would be gone a couple of days.]

Written by John Wilder and Carol Sobieski
Directed by William J. Hole, Jr.

Scene 1:  Dr. Rossi gets out of his new red sports car.  Delighted to
          see the doctor, Eli invites him into the Clarion for
          coffee.  A pot of coffee is on the wood stove, along with
          some roasted chestnuts.  Rossi asks Eli to give him the
          latest gossip.  Rodney, Norman, Rita, Steven, Betty,
          Peyton, Matthew, Constance, Elliot, Matthew, Lee, and
          finally Rachel.  Eli talks about the fire at the Peyton
          mansion and that Steven is moving in.  Rossi says "musical
          grandsons."  Dr. Rossi gives a lame response and leaves.
          Rossi says, "What about Rachel?  How's she working out." 
          Eli says that she misses him.  Eli tells him that he is
          glad he's back.  Rossi responds that he is glad to be back. 
          Eli asks why he left so suddenly.  Rossi leaves.

MEL:      Your reviewer infers that Rossi bought his new red sports
          car in New York and drove it back to Peyton Place
          with the puppy and other gifts and purchases.  If he did
          so, he would have been required to "naturalize" the car in
          Massachusetts.  He would have also had to pay New York
          sales tax on the car.  It would have been more logical to
          have bought the car in Boston or White River or even Peyton
          Place.  But then, transporting the puppy might have been a
          problem.
       
Scene 2:  In his office, Steven Cord looks out his window and talks
          with Sandy Webber about her divorce.  Steven tells Sandy
          that he is too busy to take her divorce case.  She says
          that everyone tells her she is a big girl.  She can take
          care of herself. 
   
          SC:  Well, if you've made up your mind, I'll give you the
               names of a couple of attorneys who can help you. 
          SW:  Then you won't do it?  SC:  No.
   
          His secretary, miss Nolan, buzzes him and says, "Your wife
          is here, Mr. Cord."  Sandy goes out to the reception room. 
          Sandy says that she understands that Betty is moving into
          the Peyton house today.  Sandy says she also is making a
          move.  Sandy says goodbye and leaves. 

          Betty goes into Steven's office.  She says that somehow she
          just can't see Sandy with Rodney.  Betty says, "Is Sandy
          like me?"  Steven tells Betty that he loves her.  Betty
          tells him that she will always love him.  He holds her face
          in his hands.  They kiss.
         
Scene 3:  Mary opens the door and welcomes Mr. Peyton home.  Peyton
          tells Thomas to put the car away.  Mary asks if she can get
          anything for him.  Steven comes down the stairs and
          welcomes his grandfather home.  Peyton asks Steven if he
          has moved in already.  Steven says that he has.  Peyton
          sits and rides around in his motorized wheel-chair.  Peyton
          says that he is amazed at how the work is progressing. 
          Betty comes in and says "Welcome home, Mr. Peyton."  Peyton
          says, "Well, Betty.  What a surprise."  Peyton mentions the
          chess set.  Betty asks Peyton to teach her chess.  The door
          chime rings.  Betty says she will get it.  Peyton says,
          "Betty, the queen never makes the first move.  The pawns
          move first."  Mary admits Leslie.  Leslie comes in to speak
          to Peyton.  Peyton says, "I am in no mood to talk to an
          uninvited visitor."  Leslie is hostile.  He wants something
          for his sons.  Leslie says, "I don't intend to let my sons
          be pushed around by this spurious accident of nature."
          Steven says, "I'll remember those words, Mr. Harrington." 
          Leslie says, "How could you forget them?"

Episode 315.
02-21-67

          Dr. Rossi examines Rita Harrington.

WA:       Today, Rachel Welles is a very confused and unhappy girl. 
          For weeks she has eagerly awaited the return of Dr. Michael
          Rossi from New York.  Rossi was her protector.  Her deeply
          concerned protector.  Now he has come back and told Rachel
          she must not consider him as anything more than a friend.
   
MEL:      Betty begins redecoration of the mansion.  At some point a
          landscape painting is selected to hang over the fireplace. 
          The portrait of Catherine Harrington is damaged beyond
          repair.
       
Intro:    Rachel walks past the Colonial Post Inn and the bank and
          goes to the Book Gallery.

Written by Jerry Ziegman and Sonya Roberts
Directed by Ted Post
   
Scene 1:  Rachel, carrying the puppy, goes inside the Carson house
          and talks with Constance.  She tells Constance that Dr.
          Rossi was cold and unfriendly, not like when she first came
          to town.  Constance explains that Rossi is busy getting
          things arranged for his new position at the hospital as
          chief-of-staff.  His new job came on suddenly.  Rachel says
          that Rodney is very nice.  She asks Constance if she will
          tell her more about Dr. Rossi after supper that evening.
   
Scene 2:  Dr. Rossi is examining Rita.  He talks with her about
          Rachel.  Rita says that Rachel taught them a new dance.  He
          thinks that she is suffering from general fatigue.  He
          wants to see her every week or two.  Rossi mentions that he
          thinks that Rita probably had rheumatic fever as a child
          but it was diagnosed as something else.  He says that often
          rheumatic fever is often mistaken for something else.  He
          tells her to come back in to see him in a week.  And no
          square dancing.  Rita leaves.  Rossi telephones a nurse,
          miss Raffer to put a note on Rita's chart that she might
          have mitral stenosis.
   
Scene 3:  Steven comes in the front door of the mansion and speaks to
          Betty at the top of the stairs.  He says that she looks
          very nice.  Steven goes upstairs.  Betty tells Steven that
          Peyton wants to talk to her before she and Steven go out to
          eat.  Betty goes in to see the old man.  Peyton tells her
          that he mis-inscribed 14 checks since Mrs. Cord
          left.  And he tells her that he needs for her to start
          running the household, paying the bills, planning the
          menus, hiring and firing.  Betty tells him that she will be
          too busy being Mrs. Cord to do all those things.  Betty
          reminds him that she is Mrs. Cord, too.  Peyton shows
          her where the records are kept.  He shows her a list of
          merchants they no longer deal with.  Steven and Betty are
          going out to dine with old Charlie Tomlinson, banker. 
          Peyton tells Betty about Regina Tomlinson.  Peyton hands
          over the keys to Betty.  He says that he will tell her what
          they are for later.

Scene 4:  Chandler is walking on the wharf and goes into a phone
          booth.  He dials the mill and tells the operator that he
          got a message from Harrington.  Leslie asks Chandler if he
          has a strong back.  He tells Chandler to report to the
          loading dock in the morning.  And he adds not to phone him
          or drop in.  Chandler says, "You're the boss."

          Chandler walks down to Ada Jacks' Tavern and goes in.  Ada
          says, "What'll it be?"  He orders a beer and says his name
          is Jack.  She finally recognizes him as Jack Forrest.  But
          he asks her to call him Chandler.  Chandler says he's
          looking for one of those sandwiches she used to make.  Ada
          says she no longer serves sandwiches.  He talks with Ada
          about Leslie and Eddie.  He asks Ada if she ever hears from
          Eddie.  Chandler says that Ada is his only friend.  She
          says he is not her friend.  He says he will see her again,
          soon.  He pays and leaves. Dialog
     
Scene 5:  Eli is typing away as Elliot comes in the Clarion.  [Looks
          like an Underwood®].  Eli is writing a nastygram to
          a supplier concerning merchandise he was billed for, but
          did not receive.  Elliot wants to use the typewriter to get
          the Clarion out.  Eli says that Rachel is a nice girl who
          deserves tender loving care.  Elliot tells about making up
          a dream to tell Rachel.  Eli fusses at Elliot regarding the
          way he is treating Rachel. 
   
Scene 6:  Sandy goes in the Shoreline garage to talk with Rodney. 
          She tells Rodney that she is free now.  She makes it clear
          that she is available for him.  Rodney doesn't take up on
          the suggestion.  Rodney says that Lee is big and strong. 
          Sandy tells Rodney that there will be no strings.  She
          says if it weren't for him she would be on the next bus out
          of there going anywhere and nowhere.  She calls him
          Golden Boy.  Rodney says that Golden Boy is what Lee
          calls him.  He doesn't want to work at the mill, he wants
          to be free.  Sandy promises that she won't bother him
          anymore.

Episode 317.
03-06-67  Pre-empted for Brigadoon
03-07-67
   
          Lee reads the ad for Peyton's chauffeur.
       
WA:       20 years ago, Jack Chandler walked this same wharf in Peyton
          Place, stood outside this same tavern.  In those days he came
          here for a very special purpose, to meet Leslie Harrington in
          the rear room to talk business.  A peculiar kind of business. 
          Recently Jack Chandler revisited the Tavern but the owner, the
          lady in charge, Ada Jacks gave him a cold welcome.  Today, he's
          decided to try again.  For if he wishes to reclaim Rachel
          Welles, he must have a friend and an ally in Peyton Place.
       
Intro:    On the wharf, Chandler walks over to Ada Jacks' Tavern.

Written by Carol Sobieski and Jerry Ziegman
Directed by Harvey Hart
   
Scene 1:  Chandler comes in the Tavern as two men are leaving.  Ada walks
          over and asks since when Harrington allowed men to drink on the
          job.  He tells her that he is on his lunch hour and he came in
          for a cup of coffee.  He tries to cozy up to Ada by telling her
          that she is still a handsome woman.  Ada makes it abundantly
          clear that she isn't interested.  She tells him that if he
          wants to get something to eat to go to the other end of the
          wharf. 

          Chandler is still sitting at the bar as Norman comes in.  Ada
          asks Norman why he is not in school.  Chandler observes that
          Ada is holding out on him.  He didn't know that she had a
          married daughter.  Norman asks Chandler if by some chance he
          might be Rachel Welles' uncle.  Chandler introduces himself to
          Norman and leaves. 

          Norman chats with his mother-in-law.  They talk about Eddie. 
          He says he will see her friday and leaves for class.  Norman
          asks Ada how she knew him.  Ada claims not to be good with
          names.  She didn't make the connection.  It was 20 years ago. 
          She didn't recognize him.  Eddie took off right after Rita was
          born.  Ada says that Eddie was a crumb.  When Eddie left, the
          trash didn't keep coming around.  She says that is why she does
          not like to talk to Rita about her father.  Norman says he has
          to get to class.  She asks Norman not to mention Chandler and
          Eddie to Rita.
       
Scene 3:  Rita is in the Pharmacy talking with Rachel on the phone.  Lee
          tells Rita to warm up his coffee.  He reads in the paper that
          Peyton needs a driver.  Lee says he thinks he will like being
          Peyton's chauffeur.  They don't get their hands dirty.  They
          wear gloves.  Rita says Rodney is a gentleman.  He tells Rita
          to tell Norman to stay away from him.  She asks to be paid.  He
          pays.  She refuses a tip.  Rita prepares to leave.  Another
          girl walks up and apologizes for being late.  Lee asks her what
          her name is.  She only gives him a dirty look.

Scene 4:  Behind the Colonial Post Inn sign, Rachel talks with to Rita. 
          Rachel says that she needs someone to talk to someone she can
          trust.  She tells Rita that she is leaving.  She found the
          bracelet on the floor of Chandler's car.  They walk and they
          talk.  Rachel is annoyed that Rita doesn't comprehend the
          significance.  Rita doesn't understand the importance of this. 
          Rachel says that Chandler didn't have anything with him when he
          came to the farm.  Her aunt Lucy met Jack Chandler at a church
          social.  They never went to church when they lived on the farm. 
          Chandler and aunt Lucy were married for 10 years.

Scene 5:  In the mansion livingroom, Steven is fixing a drink as Betty
          and Martin Peyton come in.  Peyton tells Steven that he has an
          amusing wife.  They have just gotten back from Boston.  He
          showed her the Boston house.  Betty says that Peyton threatened
          to chop off her head if she didn't entertain him on the way
          back.  Steven was worried about her because the roads were bad
          and she didn't call.  He mentions inflicting the family
          portrait album on Betty. He mentions running into one of the
          Governor's aides in the law office.  They talked about Steven's
          qualifications for public office.  Steven mentions that when
          the magician asked Aladdin for the lamp back, he sealed Aladdin
          in a hole in the ground.

Scene 6:  Dr. Rossi is working in the lab when Rachel comes in.  She
          tells Rossi that Elliot is mad at her.  Rossi asks what
          happened.  She tells about lying to Elliot about seeing
          Chandler.  Rossi tells her to tell the truth to Elliot.  She
          doesn't get the answer she wanted.
             
Scene 7:  Rodney and Sandy are walking on the wharf.  They go in Cider
          Barrel and begin to throw darts.  She asks Rodney why he is
          unhappy.  She mentions "No strings."  Rodney orders two cups of
          coffee from Charlie.  They continue to throw darts.  He calls
          her "Sandra Webber."  He says she wants to be protected. 
          Charlie brings them their coffee.  She says she is not Allison
          and doesn't want to be put on a pedestal.  And she doesn't want
          to be called "Sandra."  Rodney says he owes her.  Sandy says,
          "Liar, you don't owe me anything."
       
Scene 8:  At the Carson house, Elliot is shouting at Constance. 
          Constance says, "It will be a long time before I forgive you if
          you drive her off."  Rachel comes in the front door.  Constance
          asks Rachel if she is all right.  She says Rita will be taking
          care of the baby from now on.  She's leaving.  They continue to
          argue as Rachel goes upstairs. 
       
Scene 9:  In the baby's room, Rachel tells Matthew goodbye.